Bet you thought there wouldn’t be another series to throw into the mix, but nope, I’m doing it now!
This time, I’ll be looking at a set of singles up to the release of an album known as “SEXY 8 BEAT”, from my ult-group and Japan’s mega pop-sensation Morning Musume., and more specifically, the set of girls that feature their 4th, 5th, 6th and 7th generation (and for later reviews, their 8th and 8.5th).
The first single in the batch is the springtime single “SEXY BOY ~Soyokaze ni Yorisotte~“, which oddly enough was a background track for the 2008 movie Jumper, and it also happens to be one of the very first songs I’ve heard from the Hello! Project umbrella. So, this begs to ask: Was I nestled by the breeze of this ‘sexy’ track or was it to risky for a ‘sexy boy’ like me (ugh)? Let’s look!
Continue reading “single review: Morning Musume. “SEXY BOY ~Soyokaze ni Yorisotte~””
We made it! The finish line!
This is MY list of the best songs from Japan in 2021, and let me tell you, it’s been quite the year! I think I’ve become more accustomed to Korean pop music than I have Japanese pop music in recent years, but I still manage to get a lot of music from Japan on my radar. It was actually quite a surprise to have a full list of songs I could actually pick from, because I did a lot of exploring this year and finding a lot of new artists to listen to.
So, will those artists make an appearance on the year-end list for 2021? Will some more veteran artists appear? Will Koda Kumi actually have a song on the list this year? The only way to find out is to read on…
Continue reading “the best of jpop 2021”
Here we are folks, we are at the sequel stage of 2021’s very best of Japanese pop in 2021. Surprisingly, my last post, “the best of jpop 2021 so far”, received an incredibly slow but warm welcome, to the point where I got inspired to share more songs that have been on my radar from 2021.
Let me tell you, it has been a journey! I ended up listening to way more Japanese pop music in 2021 than I ever did over the last five years, so this is saying a lot for the current state of the Japanese music scene.
So… without further ado, here are the best J-pop songs of 2021 up until the end of November!
Continue reading “the best of jpop 2021 thus far”
I have to admit, this was a harder list for me to create, but can you believe that we’re already at the half-way point for the year in J-pop?!
It’s been quite a few years already, and I’ve noticed big-time how the J-pop scene has changed so vastly during those years. Some of my favorite artists are no longer big names, and newer artists seem to show up every year… I can no longer keep track! That said, I’m still finding more and more through word of mouth and recommendations.
I can only hope these next fifteen tracks are worthy of your listening pleasure, as I consider them the best from what I have heard throughout this first part of the year. Will we share the same opinions? Let’s take a look!
Continue reading “the best of jpop 2021 so far”
Continue reading “single review: BEYOOOOONDS “Megane no Otoko no Ko / Nippon no D・N・A! / Go Waist””
Hello! Project is at it again! The mega-group BEYOOOOONDS, ridiculousness aside, consists of two already-formed Hello! Project groups, joined with three winners of the ONLY YOU audition, makes their debut in the summer of 2019 with a triple A-side that addresses the hot topics: will that boy with glasses like me? Will we reach out to Japan? Will we get the body we want?!
I wonder if we get any of these answers through this single release and if they end up being the right ones… there’s only one way to find out!
2020 marks a new year, and it also marks a new number for Morning Musume to add to the end of their name (which has been going for about 6 years now, it really sticks!). Kicking things off for Hello! Project in this clear vision year is a new single release, introducing their fifteenth generation (yowza) members. There’s also a slight interesting quality to this single, proclaimed by Morning Musume themselves as something they’ve never done before.
Continue reading “single review: Morning Musume. ’20 “KOKORO & KARADA / LOVEpedia / Ningen Kankei No way way””
With that said, is this going to be a new era for Morning Musume, prepping our minds and bodies for something amazing, or is this a bad start to our new year?