We are at the middle mark of 2021! Crazy how time flew by.
With that comes a new list, one that I have been meaning to do ever since the year started. I’ll be listing out fifteen of Korean pop music’s best efforts for the year, and this time, I won’t be putting them in any order. It is merely just a list of the best tracks that have made their way into our earlobes for the year… so far.
And what a half-year it has been! From the likes of BTS buttering up our eardrums to STAYC catching up to us ASAP, the outlook of the genre’s music is fantastic for the remainder of the year. Without further ado, let’s get to the list of 2021’s best Korean pop efforts, with the hope that you might agree (or disagree) with what I’ve got here…
Continue reading “the best of kpop 2021 so far”
I’ll be making more of an effort to review some newer releases, as well, and to kick things off, I’ll be taking a look at HYBE’s new boy group ENHYPEN, formed through the reality competition I-LAND. They had a debut that wowed me (and frankly, that review will be coming, lol), and I’ve had my attention on them going forward. There’s some anticipation here for this review, especially because the boys continue with the horror concept that was introduced in their first effort; you know I love me some horror concepts!
Their first comeback mini-album is titled “BORDER : CARNIVAL“, which, based on previews, takes the boys into a more party-like territory than the dark lonely feel of their previous effort, but it still has some spooky blood drenched all over it (the aesthetics are also the chef’s kiss).
With this mini-album, the boys attempt to elevate their border series to carnival status, but is this going to be bloody brilliant or is this just all dried up with nothing for us to get our fangs on?
Continue reading “mini-album review: ENHYPEN “BORDER : CARNIVAL””