島谷ひとみ | ANGELUS -アンジェラス- / Z!Z!Z! -Zip! Zap! Zipangu!-

Ready to head into the Latino vibes of the next InuYasha tie-in single? Or how about the Olympian feel of the second song on this single?

Performed by yet another avex soloist, Shimatani Hitomi, whose music always has some part of the world to them, ‘ANGELUS / Z!Z!Z! -Zip! Zap! Zipangu!’ serves as Hitomi’s first double-A-side single, with InuYasha’s sixth opening being the first and the other as TV Tokyo’s theme for the 2004 Summer Olympics in Athens. With two vastly different styles packed in one release, there’s something here for two extremes! But will each song hold up on their own as zeroes to heroes, or are they just total zeroes?

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タッキー&翼 | One Day, One Dream

Next up is Johnny’s duo Tackey & Tsubasa with their single ‘One Day, One Dream’, tying in to the InuYasha anime series as the fifth opening. Tackey & Tsubasa are the second Johnny’s-associated group to tackle the series, and here, they go for a more pop-rock sound as opposed to V6’s J-pop sound of ‘CHANGE THE WORLD’.

With ‘One Day, One Dream’, they keep up the momentum, but is this single going to be as bright as day, as serene as a dream, or is it going to be a dark nightmare we must get ourselves out of? Read on…

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Every Little Thing | Grip!

Today we’re taking a look at the fourth song from the InuYasha series, ‘Grip!’. It is the fourth opening song of the first series.

Performed by popular avex duo Every Little Thing, who has a very traditional J-pop sound, ‘Grip!’ keeps things upbeat for the InuYasha series. Featuring the A-side and one B-side song, ‘Grip!’ may potentially be a single that gets you in its grasp, but is the single overall a grip worth reciprocating or is it something to loosen yourself out of?

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相川七瀬 | 終わりない夢

Third up in the InuYasha song review series is Aikawa Nanase’s ‘Owarinai Yume’. With its tie-in as the third opening song, we’ll be transported in hyper-speed with the song’s harder rock sound.

Known for her heavy rock vibes and her unique vocal, Aikawa Nanase may deliver just as well as hitomi did for InuYasha’s second opening. This does make me wonder… is this endless dream worth traveling through, or is this more of a nightmare that I need to wake myself up from?

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hitomi | I am / innocence

Next up on the InuYasha series is the second opening single, ‘I am / innocence’, performed by avex artist hitomi, not to be confused with Hitomi Yaida (and also not to be confused for ayumi hamasaki’s ‘I am…’, as my young, naive, innocent self believed initially).

hitomi also happens to be one of my favorite singers ever, begging for a question here: how does this single fare compared to a lot of her other stuff? Her first double A-side single, hitomi keeps InuYasha’s upbeat opening momentum, but is this single one of grand self-discovery or is it just not innocent of being bad?

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V6 | CHANGE THE WORLD

Alright, so if you haven’t heard, there’s a new InuYasha series coming out, and my young pre-teen self could not be more excited. In fact, because of this, I’ve gone and revisited the music from the InuYasha series. It’s where I got my start with Asian music and well, the rest is history.

I’ve decided that since it was the start of my rabbit hole down into a love for Asian music (and Asian culture, also), I wanted to review each single that had its mark on the InuYasha series before Yashahime gets on air (and hopefully get them all done soon, because it’s coming in October).

First up is V6’s ‘CHANGE THE WORLD’, where InuYasha fans alike belt out its first lyrics because it is quite literally the first thing to hear when the show starts. Is it with this single that the world changes or does everything stay the same throughout? Read on…

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倖田來未 | No Regret

At number eight is Kuu’s next foray into anime!

Tying itself in with the anime, Ueki no Housoku (or otherwise known as The Law of Ueki), as an opening, Kuu takes this project into another unique direction. Here, the concept art is that of Persia, wearing a Persian garment with fierceness. Musically, the song has the exact feel of what you may hear in anime music, though with some slight differences. Is this worthy of its status as an opener, or is this song never to be found on top anisong lists all over YouTube?

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Anison Corner #1 | 銀魂’ OP1: 桃源郷エイリアン

In the very first of my new review series, Anison Corner, I’ll be taking a look into what makes an anime song and its counterpart visual so good (or so bad). From its relation to the anime’s story, to its technical aspects such as the song, the animation, and how it translates to the viewer, Anison Corner will take all these details and score them up just like any of my regular reviews, and I’ll give you my recommendations for each anison on this site! Whether it’s openings or endings, or even inserts and OST tracks, you’re guaranteed to see a variety of anison moving forward.

First up is an opening from a series that doesn’t seem to drop in score on MAL, and it’s a series that just almost seemed to never see its end in sight, with its various anime and live-action films, and its various title changes… you know I’m talking about Gintama! For the first review, I’ll be taking a look at the alien-like world of Gintama’, the series’ second ‘season’, and its first opening. Read on!

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女王蜂 | 火炎

If you’re not familiar with Ziyoou-vachi, otherwise known in international waters as QUEEN BEE, then here’s one way to get introduced to them. The rock quartet, known for their eccentric yet ever-changing musical styles and image (which they themselves call “fashion punk”), had already marked 2019 as their biggest year, entering the mainstream in the forms of anime music (notably as an ED for Tokyo Ghoul:re).

In their most recent effort, they tackle anime once again with a fiery title track, one that introduces every episode of the anime ‘Dororo’ for its Winter 2019 season. With Dororo having been one of the more popular anime of the year, this single has propelled Ziyoou-vachi to newer heights; this begs the question then: is this single actually fire or is it a burn-out?

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