At last, we have reached the album!
Released January 19, 2022, as a gift to their fans on their own birthday, “BAD Mode” is Utada Hikaru’s (or Hikki’s, as their fans devotedly call them) eighth studio album, featuring singles that trace back to the beginning of 2019. In the three year span, Hikki would go on to display a more subdued sound, collaborating with producers such as A. G. Cook and Obukuro Nariaki, and every song would have a tie-in to a Japanese-made property.
“BAD Mode” is one of the hotly anticipated releases of early 2022, but is “BAD Mode” all it’s chalked up to be? Is it the bad mode you wish to feel, or are you just on a ‘good’ mode instead? Or is the release just… bad? Let’s take a look into the album onward.
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The final single in the series is “Kimi ni Muchuu“, serving as another tie-in (Hikki and these tie-in’s…). This time, “Kimi ni Muchuu” is attached as a theme song to the J-drama ‘Saiai’, and the track sees Hikki pairing up one more time with well-known PC Music producer A.G. Cook (best known for his collaborations with Charli XCX, and previously working with Hikki for “One More Kiss”).
Opting for another more subdued tone, “Kimi ni Muchuu” is the lead single for ‘BAD Mode’, but will you be crazy for this lead-in song, or is Hikki crazy to think they could keep up with this new generation of sound? Let’s check it out!
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Fourth up would originally be “One Last Kiss” in the ‘BAD Mode’ review series… however! I have already reviewed it here, so enjoy!
With that established, the next review up on the list is for a single released in 2021, and yes, it has another tie-in. This time, Hikki’s “PINK BLOOD” serves as the opening theme song for the anime series To Your Eternity, being the second anime tie-in for Hikki of the year.
Now, is “PINK BLOOD” actually pink, my favorite color, or is it just a regular red, meaning it might not be what I’d like? We’d have to take a look, so read on!
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Third up in the set is “Dare ni mo Iwanai“, otherwise translated to ‘I Won’t Tell Anyone’, which also has a tie-in. This time, Hikki is paired up with Suntory Water, selecting the song as the theme track for the commercial, which also stars Hikki themself. Released literally days following “Time”, “Dare ni mo Iwanai” has Hikki also participating with the same producer of “Time”.
Now, is this song worth keeping a secret, or is it a track that will have Hikki asking if you can keep a secret? Whatever the case may be, we’ll have to tell everyone how I feel about this song, so read on below!
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Second up in the “BAD Mode” review set is “Time“, released more than a year after “Face My Fears”. This single was released as a digital single in 2020, mere months following the onset of the pandemic, and it has Hikki exploring uncharted territory by offering a theme song for a drama aired on NTV in Japan (the drama being “Bishoku Tantei Akechi Goro”).
With all the time in between releases, was this single crafted with care and precision, using all that time wisely, or did Hikki waste time for everyone, from those involved to the listener? Let’s look at the sole song onward.
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I’m back for a new review set, and this time, I will be taking a look at several Utada Hikaru releases. For this review set, I will tackle the recent releases leading up to their new album “BAD Mode”, which is set to be released on January 19.
The first single of the bunch, having actually been released three years prior (gee, that is a while!), is “Face My Fears“, which is the much-anticipated tie-in release to the video game Kingdom Hearts 3. Having offered several theme songs to the game series with “Hikari/Simple and Clean” (“Hikari”, which I reviewed here) and “Passion/Sanctuary”, “Face My Fears” shows Hikki taking on two songs for the game.
With this single, were they successful in facing those fears, or did they have to think twice contrary to what their song says… read on!
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We made it! The finish line!
This is MY list of the best songs from Japan in 2021, and let me tell you, it’s been quite the year! I think I’ve become more accustomed to Korean pop music than I have Japanese pop music in recent years, but I still manage to get a lot of music from Japan on my radar. It was actually quite a surprise to have a full list of songs I could actually pick from, because I did a lot of exploring this year and finding a lot of new artists to listen to.
So, will those artists make an appearance on the year-end list for 2021? Will some more veteran artists appear? Will Koda Kumi actually have a song on the list this year? The only way to find out is to read on…
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Here we are folks, we are at the sequel stage of 2021’s very best of Japanese pop in 2021. Surprisingly, my last post, “the best of jpop 2021 so far”, received an incredibly slow but warm welcome, to the point where I got inspired to share more songs that have been on my radar from 2021.
Let me tell you, it has been a journey! I ended up listening to way more Japanese pop music in 2021 than I ever did over the last five years, so this is saying a lot for the current state of the Japanese music scene.
So… without further ado, here are the best J-pop songs of 2021 up until the end of November!
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As I mentioned previously in some recent posts, I am getting back to finishing up a lot of backlogged reviews. Just recently, I finished reviewing three singles from Perfume’s catalog from 2008 to 2009, them being “love the world”, “Dream Fighter”, and “One Room Disco”. These three singles lead up to the studio album release of “⊿”, otherwise known as “Triangle”.
“⊿” is the second studio album release from electropop sensations Perfume, a trio of girls produced by famous electronica composer Nakata Yasutaka of CAPSULE. Having secured their status as a prominent force in Japanese pop with the release of their first-ever original studio album “GAME” in 2008, all eyes were on the girls for the follow-up sophomore album and interest developed on what sound it would tackle, especially with its three preceding singles having very unique sounds when compared.
With “⊿”, Nakata was going through a rebranding of his sound on his own right, and if you listen carefully to this album, you might just hear those influences bleeding into his works with Perfume. One has to wonder if this experimenting into what almost seems like an exploration into the 80s will shape this triangle to its right angles… the only way to find out is to take off into the night…
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