Guess who is back? It’s not Koda Kumi back to do an anime opening for Black Clover, no! IT’z ITZY!
Making their return after their fandom-related release, “MIDZY”, the five-member girl crush group is back to slay the game with the new release “GUESS WHO“. It’s a release that’s been long coming, with their last girl-crush concept being that of “Not Shy”, which I reviewed last year to rave reviews (I’m not shy to say I’m an ITZY stan). This time the girls tackle an even fiercer concept, joining the Korean mafia with this aesthetically-pleasing release. Knowing they have the ability to put a hit on the general public, I’m sure they have the potential to be respected mafias as time goes on.
That said, the girls also brought a bevy of new tracks to keep us on our toes, having their fans guess who, out of the six tracks including the title release, is the true hit-maker. Is it the mafia in the morning? Or is it something more along the lines of… tennis? You’ll have to read on!
Continue reading “mini-album review: ITZY “GUESS WHO””
While 2020 wasn’t necessarily a great year for all of us, no matter how many times I say it (and remind ourselves), there were still some shining glimmers of hope in the K-pop community. Some bands disbanded, some companies had to fold under, but others persevered, and 2020 became a year where debuts kept pumping out one by one.
STAYC is one of those debuts, coming from High Up Entertainment, a company founded by the producer duo Black Eyed Pilsung (and I know you’re thinking about some way that formed from Black Eyed Peas… that’s irrelevant, lol). The duo is a huge force in K-pop, having produced hits for the likes of TWICE via “TT” and CHUNG HA for “Roller Coaster”. Following the likes of Shinsadong Tiger and Brave Brothers, the pair formed their own executively-produced group. And the hype is real for STAYC, with two actresses already on the team, and their previews showcasing a group filled with visuals… it isn’t hard to believe they can go big.
Their first effort, appropriately acronym’d like the Korean-English way it is, “Star To A Young Culture“, looks to make these girls stars to, well, the younger culture. But is this teen-pop girl-group actually accessible to everyone including an oldie second-gen K-pop stan like myself, or is it merely just kiddy fodder? Read on!
Continue reading “single review: STAYC “Star To A Young Culture””
I’ll be making more of an effort to review some newer releases, as well, and to kick things off, I’ll be taking a look at HYBE’s new boy group ENHYPEN, formed through the reality competition I-LAND. They had a debut that wowed me (and frankly, that review will be coming, lol), and I’ve had my attention on them going forward. There’s some anticipation here for this review, especially because the boys continue with the horror concept that was introduced in their first effort; you know I love me some horror concepts!
Their first comeback mini-album is titled “BORDER : CARNIVAL“, which, based on previews, takes the boys into a more party-like territory than the dark lonely feel of their previous effort, but it still has some spooky blood drenched all over it (the aesthetics are also the chef’s kiss).
With this mini-album, the boys attempt to elevate their border series to carnival status, but is this going to be bloody brilliant or is this just all dried up with nothing for us to get our fangs on?
Continue reading “mini-album review: ENHYPEN “BORDER : CARNIVAL””
With the resurgence of Brave Girls and other girl groups now receiving some form of attention in the Korean pop music universe, I thought it was about time to dig up some old tracks to go through myself! Better yet, I thought it was even more appropriate to dig up some of the old Brave Brothers-produced tracks for review.
Having been of the second generation fanbase for Korean pop music, it is no surprise I know a lot of the tracks produced by Brave Brothers, even the ones earlier than AOA. Dude’s been around since BIGBANG’s first few dents into K-pop, and now he continues to be a household name due in part to his work with his own girl group Brave Girls. But back in 2011, he was all over the place, and it didn’t take long before Teddy Riley’s own girl group RaNia took a piece of the Brave cake.
Released in 2011, RaNia decides to “rock da show” with a track from Mr. Brothers himself, but is this a grand ‘pop pop pop’ song from the mini “Time To Rock Da Show“, or is it time to say ‘goodbye’ to any chances of you listening to them even in 2021? Jesus, that’s 10 years ago too…
Continue reading “single review: RaNia “Time To Rock Da Show””
Next up on the Brave Girls spotlight is a song that many people don’t actually know is part of their discography, hidden amongst their more recent releases. That song is “Yoo Hoo“, a summer jam that will have you thinking back to the fond days of when SISTAR and AOA ruled the charts as ‘summer queens’. Brave Girls, on the heels of their rolling success with “Rollin'”, has declared that they would like to be the next ‘summer queens’ to rule the charts, having already made waves with the almost-summery-like tracks “Rollin'” and “We Ride”.
“Yoo Hoo” might just be a precursor to the kinds of full-on summer tunes that Brave Girls will be releasing come the next few months, but is “Yoo Hoo” a knock-out track worth yoo-hooing too, or is it too cold for us to take a dip? Read on!
Continue reading “single review: Brave Girls “Yoo Hoo””
Up next on the artist spotlight for Brave Girls is the under-the-radar single “Byeonhaesseo”, otherwise known as “Deepened“. Before they were rollin’ up the charts and ridin’ the waves of fame, the four current Brave Girls were part of the seven-member line-up in 2016, having been introduced alongside Hayun as the second generation of the group. With original members Yoojin and Hyeran by their side, the group revamped themselves following a long hiatus.
“Deepened” is definitely Brave Sound in nature, but with its melancholic tone and R&B-like feel, is this track worth your love or do you deserve better? Let’s take a look!
Continue reading “single review: Brave Girls “Deepened””
You must know about Brave Girls now! If you haven’t already read my last review, you should check it out, but remember when I mentioned how Brave Girls had been receiving some hot attention lately? Well… it looks like that attention has skyrocketed them to incredible fame, going so far as to reach records and win their first ever music show trophy (with many more wins incoming).
I decided to take things up a notch with the reviews and put the artist spotlight on Brave Girls for the next few reviews, and there’s no other review to make than “We Ride”, the most recent comeback from the girls prior to the success of “Rollin'”. Being that this was their last effort before they made discussions about disbanding prior to their rise in fame, “We Ride” did not fare well on the charts initially but is now seeing a #WeRise of sorts. Following up after “Rollin'”, is this single worth the ride into Brave Girls’ discography, or are they simple just driving as a one-hit wonder? Read on!
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Have you been in the K-pop know recently? Do you recall when a fancam video of Hani shot EXID to stardom? Then, have you heard about Brave Girls, and their recent becoming of a hot issue in the last few days of February?
Due to a compilation video uploaded by a Korean YouTuber, Brave Girls have become something of an anomaly; their 2017 track “Rollin’” shot up in the charts following the video’s viral release, featuring live performances of the track including a ‘military-version’ complete with chants from Korean men in euphoria to the sultry tune. Today we take a look at this track and the accompanying mini-album to see what all the hype is about… and if maybe I can join in on the fun!
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Let’s go back to the past with some K-pop releases!
Lately, I’ve found myself going down a gigantic hole of old K-pop jams that I got myself into back in the golden age, when groups like 2NE1, 4minute, SNSD, and After School held reign. Today, I’ll be looking at the latter, a group that is officially one member in size and is unofficially disbanded, originally designed to be like SK’s ‘Pussycat Dolls’ before trading that concept to be SK’s ‘Morning Musume.’ instead (you heard that right). After School had a stellar debut, but with the addition of two new members Nana and Reina, the sassy girls made an even bigger splash with the raindrops of “Because of You“. With the switch from fun concepts to one of heartbreak, is this single worth crying (joyful) tears over or is it because of this single that your heart is broken?
Continue reading “single review: After School “Because of You””